But newbies O’Neil and Wryn really don’t have those innate acting skills even if they exhibit moments of valid emotions. We’ve become accustomed to super-kids who can genuinely act their way out of a paper bag. Part of Mimzy’s problem unfortunately stems from the stiff performances especially from the young actors. Slapping on an environmental message IS the latest craze after all. As Noah and Emma start exhibiting paranormal behavior–including blacking out their city for a few minutes-their parents ( Joely Richardson and Timothy Hutton) grow more concerned especially when Mimzy turns out to be more than just a toy armed with a serious warning about mankind’s future. We meet 10-year-old Noah Wilder ( Chris O’Neil) and his younger sister Emma ( Rhiannon Leigh Wryn) who find a mysterious box on the beach that contains some strange devices they think are toys including a beat-up stuffed toy rabbit who Emma calls Mimzy. Kuttner and Moore believed the poem may have actually been a communication with hidden meaning from the future so the movie expands on this idea. Moore (who wrote under the pseudonym Lewis Padgett) The Last Mimzy makes reference to Lewis Carroll’s famous nonsensical poem “Jabberwocky” which appeared in his novel Through the Looking Glass and What Alice Found There. The premise is that because Mimzy was meant for a child, it had to be a stuffed animal.Based on a 1943 short story “Mimsy Were the Borogroves” by Henry Kuttner and his wife C.L. Though Mimzy is central to the film and Emma’s enlightenment–an almost human piece of virtual technology that becomes Emma’s teacher/guru–it’s still a stuffed rabbit. Naomi helps the family understand the spiritual significance of Emma and Noah’s new intelligence, since not only do Noah and Emma recognize all of the most famous Mandalas, but the kids also know the proper names of the historical artwork.Īnd then of course there is Mimzy, the stuffed rabbit. Noah’s science teacher (played by Rainn Wilson of “The Office”), whose wife, Naomi, (Kathryn Hahn) happens to be a palm reader and aficionado of all things Tibetan Buddhist, steps into the picture not only because Noah develops a shocking science project about spiders, but because Noah is drawing what are called Mandalas–ancient Tibetan artworks that depict the history of the universe through intricate, beautiful, and mind-gripping patterns. As Emma and Noah learn to “play” with these mysterious toys, Noah becomes a scientific genius of some sort–he can suddenly talk to spiders and make objects move with this mind–and Emma becomes a meditation guru. What’s fascinating about this story is the way it mixes science–virtual technology and string theory–with Buddhist spirituality.
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